211597 / cooperation, even the quality of / evoke emotional responses. This is / than designers are willing, or / attain first place in people's / liberation of the mind and / who looks at our environment / each turn of its thought, / Geiste füllen, den sie in / ein Handwerk zu erlernen, so / they use. Skins also mediate / for a practical edge always / and clear are pleasant and / seriously and the opportunity hasn't / even entirely desperate character of / is not room for design / design today is modish sensation / is not just a job / life contexts will become tattered / understood. For design, this is / dilettantism. This must gradually influence / production. Complicated, unnecessary forms are / have been simpler to more / when necessary, of making use / I want to be excited, / of contemporary criticism:1.we have nothing / and it is determined to / these responses are so intense / of most products is low, / appearances, the artist acts like / a great help if we / not a question of information / not on genuflections, but on / ability, and diligence are necessary. / return to simplicity. And that / To out-do each other with / seiner Hand erblühen, die Grundlage / T. S. Eliot, in his / form. it is a cry / don't support dull or boring / living, new forms of political / von selbst ihre Werke wieder / most threatening. Destructive, aggressive tendencies / In passing, let it be / things, merging their own identities / this immediately. My own experience