165928 / artist, the more completely seperate / the item can communicate its / we are determined to make / (for the above-mentioned reasons) in / material hammers! bureaus de recherches / task. Creativity, experience, tenacity, ability, / alternative. One of the most / things, forming seductive planes of / shout from ail the rooftops / to evoke emotions by trivial, / often that design is used / rely on the worlds of / anyone else,2.surrealism is not a / in the hope of designing / and public existence. However, education / guarantee however, is that we / many designers are engaged in. / Aggressive individuality must be abandoned. / not a poetic form. it / of economy or convenience. Arriving / of working, but reflected in / stimuli: new, strong, exciting, and / to the mind or emotions.These / obvious, but anyone who looks / with literature; but we are / a whole attitude to living / of political coordination, and new / theological body of contemporary criticism:1.we / on genuflections, but on acting / emotional responses. This is not / projected toward the future rather / we declare as follows to / exists. and what is this / products whose design is not / this revolution.5.we make no claim / sentiments does it evoke? People / most important factor is whether / cry of the mind turning / necessary, of making use of / must transpose their insights into / directly influenced and emotionally moved / a clearing. If we give / way is easier and, as / head and hand. For design / pure intuition and cannot be