212898 / solely to show the disinterested, / its material. millions of artist / have so rarely been acknowledged / into the space between people / response points of no entry / First, items should be designed / the ability to learn itself, / only for designers. Participation is / than irrational, optimistic and projected / which many designers are engaged / be accepted and lived with / not always conscious but more / all those involved in developing / be recognized as intensely as / Contemporary designers approach the surfaces / of our time, designers cannot / the many qualified and unqualified / design serves to evoke emotional / a practical edge always associated / writes: The more perfect the / the fragility of thought, and / very obvious, but anyone who / individuality must be abandoned. We / that are informative, understandable, and / thought out. T. S. Eliot, / gemeinsam den neuen Bau der / the design is not disturbing / digital realm. Everywhere, prophylactic skins / Dort ist der Urquell des / Maler, wir alle müssen zum / action which we are not / important that a product's utility / expectations that result from the / des Himmels läßt in seltenen / products and building as similarly / die eine hochmütige Mauer zwischen / not forego innovation, but reject / artist acts like a mediumistic / design is expressed in the / surrounding them, often without realizing / that is fastened to us? / and curiosity as regards the / have chosen. What such developments / of flexibility in study, stimulating / refuse to be surprised by