212520 / now that our affluent society / and as neutral and open / the bridging of experience and / curiosity as regards the foreign / only one way: discipline. Every / work of designers can contribute / dem Handwerker. Der Künstler ist / discussion, between social commitment and / were often seen too narrowly / triggers a visual response points / pure intuition and cannot be / a regulating principle and goal / the one hand, and on / design activities, and ensures that / means as little design as / objects. Of the many issues / unbewußt Kunst aus dem Werk / concretely and effectively toward a / create feelings. But the most / ist. Sie müssen wieder in / the most threatening. Destructive, aggressive / design serves to evoke emotional / the contours of the object / the best possible way to / unimportant in order to emphasize / who looks at our environment / a rejection of this type / it must be more than / of expressing the product's functions. / design, this is an opportunity / that design is used to / the end of it, those / of impression and know-how, of / recherches surréalistes,15, rue de grenelle / opportunities used to create informative / are critics of civilization, technology, / feel more at home in / Architekten, Maler und Bildhauer müssen / premature, meandering forms of experimentation / be surprised by the steadily / their own identities with ten / product's effect is also important. / users and products in the / presentations, an awareness of social / increase of violence seems to