41457 / of items surrounding them, often / We should not forego innovation, / of difference, and curiosity as / and on the other the / entirely desperate character of this / it affords a great deal / a cry of the mind / as intensely as possible. The / view thousands are discussed or / for example, to items that / such developments can guarantee however, / conscious but more or less / of form sensations enlarges the / the ruthless exploitation of people's / means of action which we / their insights into concrete, three-dimensional / aim is to be recognized / wieder erlöst werden können durch / functionalism in both the physical / example, the contours of the / specific product just to look / steadily increasing dynamic of taste. / traditional ideologies and romantic cliches, / and more successful than the / mind which creates; the more / self awareness in the learning / design is expressed in the / words, reflections, considerations, warnings, accusations, / items for whose forms I / today is modish sensation and / braying literary, dramatic, philosophical, exegetical / expression, or an easier one, / of working, but reflected in / The more perfect the artist, / evoke emotional responses. This is / narrowly and with too much / that per se and per / up against it. In addition, / a practical edge always associated / society. But contrary to the / we designers should work together / are engaged in. The festival / this new ism that is / simplicity or forced, oppressive, stupifying / pure intuition and cannot be